- Exhibition
- Protest and Remembrance - Alan Cristea Gallery
- Reformation - Guest Project, London
- Artist Bursary Award - Drawing Room
- Shock and Awe - mac birmingham
- Sub Urban : New Drawings - James Hockey Gallery
- Pause - C&C Gallery
- For the Record - Birmingham Museum and Art Gallery
- Arena -
The Djanogly Art Gallery - As Seen -
Tiwani Contemporary - Show and Tell -
The New Art Gallery Walsall - The Meaning of Style - New Art Exchange
- Louder Than Words - Vane Contemporary
- Louder Than Words -
East International - Louder Than Words -
Unit 2 Gallery - Private Face /Testimony - Queen's Hall Gallery
'Vanishing Point'
19th October 2018 -
Vanishing Point’, explores the visibility of Black subjects in Western European painting within a British national art collection. As demonstrated throughout Walker established bodies of work, she is interested in the representation of Black people in our public archives and collections. Vanishing Point is an opportunity to explore this interest further, and to focus in particular on Art History and the way it has been shaped by institutions and the art establishment in this country from the late Georgian period to the present day.
‘Vanishing Pointing’, is the outcome of the Evelyn Drawing award to Walker association with Jerwood Drawing Prize 2017 and loans from the National Gallery has have been made possible thanks to a grant from the Weston Loan Programme with Art Fund, an initiative created by the Garfield Weston Foundation and Art Fund.
Evelyn William’s Trustee David Alston writes about the Exhibition here Download PDF
Photography by Chris Keenan
2018, Vanishing Point 7 (Titian)
graphite and coloured pencil on embossed Somerset Satin paper using a Photopolymer Gravure plate.
Details,Vanishing Point 7 (Titian)
2018, Vanishing Point 4 (Solimena)
graphite on embossed Somerset Satin paper using a Photopolymer Gravure plate 2018
79.5cm x 61.50cm
2018, Vanishing Point 6 (Breenbergh)
graphite on embossed Somerset Satin paper using a Photopolymer Gravure plate
 graphite on embossed paper, 2018 2018.jpg)
Details.Vanishing Point 6 (Breenbergh)
2018, Vanishing Point 5 (Weenix)
graphite on embossed Somerset Satin paper using a Photopolymer Gravure plate
61.50 x 79.5 cm
Details.Vanishing Point 5 (Weenix)
2018, Vanishing Point 10 (Dolci)
graphite on embossed Somerset Satin paper using a PPhotopolymer Gravure plate
61.50 x 79.5 cm
2018, Vanishing Point 9 (David)
Graphite on embossed Somerset Satin 300gm paper,
using a Photopolymer Gravure plate
61.50 x 79.5
2018, Vanishing Point 1 (Liss)
Graphite on embossed Somerset Satin 300gm paper
using a Photopolymer Gravure plate
61.50 x 79.5 cm
Detail. Vanishing Point 1 (Liss)
2018, Vanishing Point 2 (Van Herp)
graphite on embossed Somerset Satin paper using a Photopolymer Gravure plate
 graphite on embossed paper, 2018.jpg)
Detail.Vanishing Point 2 (Van Herp)
graphite on embossed Somerset Satin paper using a Photopolymer Gravure plate 2018
2018,Vanishing Point 3 (Van den Eeckhout)
Graphite and coloured pencil on embossed Somerset Satin 300gm paper
using a Photopolymer Gravure plate
79.5cm x 61.50cm